Jane Austen’s Emma onstage and adapted in a contemporary novel

Having just celebrated 200 years of publication this past December, Jane Austen’s Emma deserves an extended anniversary party! This spring, the novel is celebrated by the release of Katie Heaney’s Dear Emma – a contemporary adaptation of the original story – and a stage run of Jon Jory’s Emma at Cincinnati Shakespeare Company.

Emma at Cincinnati Shakespeare Company runs through March 26. Heaney’s novel, featuring a college-aged advice columnist named Harriet struggling with love and friendship, is available now via Amazon.

For more about Jane Austen and Emma:

Cincy Shakes presents Emma
Cincy Shakes presents Emma.

Jane Austen’s Emma is almost 200!

Gwyneth Paltrow as Emma
Gwyneth Paltrow as Emma (1996 Miramax adaptation).

It’s hard to believe that December will mark the 200th anniversary of Emma‘s publication. The recent lead up’s been pretty interesting, including a modern retelling of the novel by Alexander McCall Smith and Pemberley Digital’s multimedia Emma Approved adaptation, which wrapped last year. Various organizations, including the Bay Area English Regency Society in the San Francisco Bay Area, are organizing celebrations commemorating the event. Even though it’s not popular on the same level as, say, Pride & Prejudice, people love Emma because it has a little something for everyone.

Before writing Emma, Jane Austen once expressed, “I am going to take a heroine whom no-one but myself will much like” (James Edward Austen-Leigh’s Memoir of Jane Austen, p. 158). Most believe that the author was at least half-joking when she said this, as Emma Woodhouse is often a great favorite among readers. The character aside, however, the story itself is simply brilliant. Part romance, part comedy, part drama, and part “detective novel,” adapters for stage and screen have lots of choice when it comes to direction and focus. If the depth and texture of the novel has a limitation, it’s in the fact that most adaptations can’t do justice to everything it offers (not even the long miniseries versions).

Jane Austen wrote Emma over the period encompassing January 21, 1814 – March 29, 1815. At his request, she dedicated Emma to her most high-profile fan, the Prince Regent. This is a bit strange, considering that she didn’t care much for him, his conduct towards his wife, or his personality in general. He received a special first edition of the novel (one of twelve “presentation” copies issued by the publisher), in three volumes, which is kept at the Royal Library at Windsor Castle. For more on the presentation edition, see this description of Anne Sharp’s copy (Bonhams auction site). Novelist Maria Edgeworth – a favorite of Austen’s – also apparently received a presentation copy of the novel.

First published in December, 1815 (though the frontispiece is dated 1816) by John Murray, Emma was the last work Austen lived to see released. The first edition consisted of 2000 copies. Oddly, the book did not sell well, so the second printing/edition didn’t happen until 1833. For more information on the initial publication of the novel, look here. You will also find opinions on the novel from Austen’s friends and family right here.

For more on Jane Austen’s Emma and its various media adaptations, visit the Emma Adaptations Pages.

Alexander McCall Smith’s Emma reboot coming soon to The Austen Project!

Alexander McCall Smith's Emma reboot - a tribute to Jane Austen's original novel
Alexander McCall Smith’s Emma reboot – a tribute to Jane Austen’s original novel.

Well, it looks like the wait’s a-shrinking for the Emma reboot by famed mystery novelist Alexander McCall Smith. This Jane Austen retelling is coming to the UK, Australia, and New Zealand in early November. According to Amazon.com, preorders are open for the US edition, scheduled to release in April.

Here’s the novel teaser from the official “The Austen Project” website:

Fresh from university, Emma Woodhouse arrives home in Norfolk ready to embark on adult life with a splash. Not only has her sister, Isabella, been whisked away on a motorbike to London, but her astute governess, Miss Taylor is at a loose end watching as Mr. Woodhouse worries about his girls. Someone is needed to rule the roost and young Emma is more than happy to oblige.

At the helm of her own dinner parties, and often found either rearranging the furniture at the family home of Hartfield, or instructing her new protégée, Harriet Smith, Emma is in charge. You don’t have to be in London to go to parties, find amusement or make trouble. Not if you’re Emma, the very big fish in the rather small pond.

But for someone who knows everything, Emma doesn’t know her own heart. And there is only one person who can play with Emma’s indestructible confidence, her friend and inscrutable neighbour George Knightly – this time has Emma finally met her match?

Jane Austen illustrations from the British Library

Technology is awesome. This week, it’s particularly awesome because I learned that the British Library has used it to post a whole mess of nifty illustrations from beloved classic editions of Jane Austen’s novels to its Flikr stream.

Some of these Austen illustrations include Irish Illustrator Hugh Thomson’s famous line drawings for Macmillan’s 1896 edition of Emma, represented below by Mr. Knightley’s proposal.

Hugh Thomson Illustration from Emma
Hugh Thomson illustration for Jane Austen’s Emma: Mr. Knightley proposes.

For more from and about iconic illustrated Austen works, peruse the following:

 

A “modern” Emma by Alexander McCall Smith…

Writer Alexander McCall Smith – creator of the No. 1 Ladies Detective Agency mysteries  – is working on a contemporary adaptation of Jane Austen’s Emma for HarperFiction’s Austen Project.

“Writing a contemporary version of Emma is both a privilege and a real challenge,” the author said. “Not only is Emma one of the finest novels in the English language, but it is possibly Jane Austen’s most thought-provoking and interesting book.”

According to HarperFiction,

The Austen Project pairs six bestselling contemporary authors with Jane Austen’s six complete works: Sense & Sensibility, Northanger Abbey, Pride & Prejudice, Emma, Persuasion and Mansfield Park. Taking these well-loved stories as their base, each author will write their own unique take on Jane Austen’s novels.

Continue reading “A “modern” Emma by Alexander McCall Smith…”

“Emma Approved” premiers!

Joanna Sotomura as Emma
Joanna Sotomura as Emma.

The first Youtube installment of Emma Approved hit the web today. In the premier webisode of this multimedia adaptation of Jane Austen’s Emma, we meet our eponymous heroine, a bubbly, self-described lifestyle expert and blogger. We discover her professional raisons d’etre and meet her button-down Highbury Partners colleague/buddy, Alex Knightley, and her friend/client, Annie Taylor.

After just a few minutes, Emma fans will swiftly figure out where things are headed…

Continue reading ““Emma Approved” premiers!”

Emma Approved: Another Austen-inspired web serial

Emma Approved
Emma Approved premiers October 7!

If you enjoyed The Lizzie Bennet Diaries, an interactive online media series adapted from Jane Austen’s Pride & Prejudice, you’ll be over the moon about Emma Approved. Based on Austen’s Emma, this one’s produced by the very same team that  brought you Diaries and Welcome to Sanditon.

Continue reading “Emma Approved: Another Austen-inspired web serial”

Paul Gordon’s Emma is back onstage – in Arizona!

Anneliese Van der Pol as Emma Woodhouse
Anneliese Van der Pol as Emma Woodhouse.

Paul Gordon’s stage version of Jane Austen’s Emma is back, continuing its 2012-2013 run at the Arizona Theatre Company through January 20. It looks like a very lavish production, starring television and Broadway actress Anneliese Van der Pol as Emma Woodhouse.

The show ran in Tucson from December 1-22, resuming this week in Phoenix. If you live in Arizona, why not ring in the new year with some Emma?

More information on Emma in Arizona: