Through May 16, the Jane Austen House Museum is displaying a selection of costumes designed by Rosalind Ebbutt for the recent BBC Emma adaptation starring Romola Garai and Jonny Lee Miller. The museum itself is housed in Chawton Cottage, Austen’s home from 1808 until her death.
While many of the fashions worn in the miniseries were actually created for other productions, Ebbutt was responsible for a majority of the pieces worn by the production’s principal actors. The current exhibit includes pieces designed for Romola Garai as Emma, Jonny Lee Miller as Mr. Knightley, Sir Michael Gambon as Mr. Woodhouse, and Laura Pyper as Jane Fairfax.
The Jane Austen House Museum’s website lists a May 7 event featuring Rosalind Ebbutt herself – wish I could go!
OneIndia reports that Ayesha, starring Sonam Kapoor, is scheduled for an August release:
Anil Kapoor Films Company and PVR Pictures’ much awaited Sonam Kapoor-Abhay Deol starrer Aisha will be released on August 6, 2010. Aisha, an adaptation of Jane Austen’s famous novel Emma, is being produced by Ajay Bijli, Sanjeev K Bijli and Rhea Kapoor. The film is directed by Rajshree Ojha.
Besides Abhay and Sonam, the film also stars Cyrus Sahukar and Ira Dubey. Music of the film has been composed by Amit Trivedi while Diego Rodrigues is the director of photography (DOP).
ETA: Cinthia found this 4/9 India Express interview with director Rajshree Ojha, confirming the film’s post-production status. In the interview, Ojha explains that her “first director’s cut” of the film is done and that “it lies in the producers’ hands.”
Cinthia comments:
It is surprising to know that the project began in 2004, but she and
the scriptwright could not find a back-up production company because
it had female-centered plot.
At the end of the interview there some interesting details. For example:
“There are places where I’ve curtailed the role of certain characters,
like that of Emma’s friend Harriet Smith, or combined two characters
into one, like the Woodhouse sisters.”
I find it intriguing, what does she mean by ‘curtailed’? Does it mean
that the Harriet character has been completely deleted or her role’s
importance has been diminished? And what about the Woodhouse sisters
being combined in only one character? I hope it is a confusion and she
meant Mrs. Weston and Isabella.
The presentation copy of Emma originally gifted to Jane Austen’s good friend Anne Sharp (and likely real-life model for Mrs. Weston) garnered £325,000 – or $489,747 – in a transaction announced this week (April, 2010). Christiaan Jonkers of British-based Jonkers Rare Books purchased the copy at auction in 2008 for considerably less (£180,000/$271,294). For more discussion…
Remember, Austenprose.com is presenting a group read of Jane Austen’s unfinished Sanditon, starting tomorrow – March 15! The Ides of March! Join Laurel Ann and the gang for some fun discussion of the novel and Regency-era seaside culture.
And now I feel like I should be quoting Ovid or something on the ascention of Julius Caesar to the heavens as a star. Yay, emperor cultism.
Anyway. I’ve also got a roundup of articles pertaining to Michael Bloom’s stage adaptation of Emma, which premiered last month at the Cleveland Playhouse in Ohio. It’s running now at the Drury Theatre through March 21:
So, my Emma 2009/2010 DVD arrived today via Amazon, and I’ve perused the special features. As far as I know, this BBC DVD version from Amazon is the same as the DVD that ShopPBS.org will ship next month.
Disc 1 includes featurettes on the Emma filming locations and costumes, bringing you short interviews with crew and cast about the visual side of the production.
Design board for the Squerryes Court dining room.
The “Locations” piece primarily covers Squerryes Court as Hartfield and Loseley Park as Donwell Abbey, describing the crew’s intent to use space as a metaphor for the various characters’ existences and as an indicator of each character’s social station. Emma, for example, inhabits an elegant home with an easy, unobstructed floorplan which represents her personality and life experience:
“Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.”
Donwell Abbey, by contrast, is more venerable in size, style, and age, which very much suits the character and social status of Mr. Knightley:
“The house was larger than Hartfield, and totally unlike it, covering a good deal of ground, rambling and irregular, with many comfortable, and one or two handsome rooms. It was just what it ought to be, and it looked what it was; and Emma felt an increasing respect for it, as the residence of a family of such true gentility, untainted in blood and understanding.”
The featurette also briefly covers decor choices and the tricks involved in shooting winter scenes in June(!). While the snowscape longshots at Squerryes Court were indeed filmed during winter, the Knightleys’ rear garden snowball fight was shot on a 27-degree C day! This recalls the snow scenes from the 1995/96 Pride and Prejudice adaptation, which were filmed in July of 1994, if I’m remembering correctly.
Snow in June at Squerryes Court!
The costume featurette was of particular interest to me. There were several conversations with costume designer Rosalind Ebbutt, who shares various elements of the design process. Ebbutt brainstormed ideas via collages of period images, fabric swatches, and color samples for each character. Frank Churchill’s even included a photo or two of Mick Jagger, whom Ebbutt felt captured the dashing worldliness of the character. In addition to remarks from the designer, we also hear from the actors. Romola Garai, Louise Dylan, Blake Ritson, Tamsin Greig, Rupert Evans, Laura Pyper, and Jonny Lee Miller all comment on the collaborative design process, how fashion reveals character status, personality and transformation, and the nuts and bolts of wearing period fashion.
Harriet and Emma: Twins!
Tamsin Greig, for example, describes Regency underpinnings (chemises, custom corsets made specifically for each actress, and in some cases, a “bustle” pad). Romola Garai shows her little chatelaine watch as an example of a costume accessory that denotes Emma’s status as “lady of the house.” Louise Dylan describes how Harriet Smith’s wardrobe begins to mimic Emma’s as the older girl’s influence grows. And Jonny Lee Miller discusses Mr. Knightley’s practical yet elegant wardrobe as an outward manifestation of the character’s personality. “I can see myself gambling in this,” he jokes, indicating his beautiful brocade waistcoat and velvet tailcoat.
Disc 2 contains the music featurette and an interview with Sir Michael Gambon (Mr. Woodhouse), filmed on location at Squerryes Court.
The Music piece includes interviews with composer Samuel Sim, Director Jim O’Hanlon, and Producer George Ormond, and generally overviews the process of scoring a television series. Director O’Hanlon describes Sim’s Emma soundtrack as having “one foot in the period and one foot in today,” allowing the film to sound historically-appropriate while maintaining a freshness accessible to modern ears. Sim and O’Hanlon also discuss how Emma’s main theme, or motive, is reiterated over the course of the miniseries to accentuate onscreen moods and actions.
Samuel Sim and Jim O'Hanlon "spot" musical cues.
In addition, we learn a little about the planning or “sketching” period, during which the composer creates the main theme and ideas for the various musical cues that will be required in the finished miniseries. We also get to glimpse a “spotting” session with the composer, director, and producer, which involves watching the film, matching up extant music cues with the footage, and coming up with plans for additional cues not yet written. The featurette concludes with a recording session at the legendary Abbey Road Studio of Beatles fame. This is totally off-topic, but it’s worth noting that the score for the upcoming “World of Color” show at Disney’s California Adventure was recorded just a few weeks ago at Abbey Road.
I haven’t yet watched the DVD version of the miniseries itself, but I understand that it DOES include various short scenes that aired on the BBC but not on PBS.
In all, I think the bonus features were worth the DVD purchase price (I paid around $23, via Amazon). The packaging is a beautiful, book-style box – gatefold, I guess you could say? – with photos of Garai on the cover and on the discs themselves. There’s a panorama of the Box Hill picnic on the inside.
Well, I’m home from a lovely visit to Orange County and Los Angeles. Yes, we went to Disneyland. Yes, we stopped by Kiyonna. Yes, I bought something. One dress. ONLY ONE. Really.
Anyway, here’s the latest scoop on Emma, which wrapped last night on Masterpiece Classic:
If you were one of the #emma_pbs Twitter winners from last week, make sure you follow me/respond to my direct message so I can get your mailing info to the good folks at PBS.org and so you can get your awesome Jane Austen action figure. 😀 Remember, I’m @magicskyway.
