Several years ago for Halloween, I decided to bring to life my favorite Patrick Nagel painting. Usually described as “woman with flower in her hair,” the piece is also known as the alternate cover art for Duran Duran’s iconic Rio album.
The first incarnation of the outfit included a royal blue tube top and raspberry capris, both of which I made myself by altering commercially available patterns. Since I’ve gotten a lot smaller since then, I decided it was time to put together a new “Rio” look for this Halloween. This time, I’m using separates produced by popular pin up clothing manufacturers.
Recently, my friend Gailynne asked me to write an article for our costumers’ guild newsletter. She knows I love mid-century fashion, and she needed someone to write a piece on “beatnik” fashion for our “On the Road” event coming up in November. I thought it would be fun, so I jumped on it! I figured it would be a good way to learn more about the “Beat Generation” and the (old school) hipster culture that inspired – and was inspired by – it.
When most people hear the word “beatnik,” they probably imagine bored-looking bohemian gals in berets and guys in turtlenecks and weird little goatees. These stereotypes are rooted in truth, but like the term “beatnik” itself, they’re not really very representative of the movement defined by the “Beat Generation” nor the people inspired by its counterculture philosophy. The reality is that the intellectuals, artists, and anti-bourgeois iconoclasts of mid-twentieth century America dressed a lot like everyone else.
Legendary San Francisco columnist Herb Caen created the term “beatnik” in 1958, a portmanteau of “beat” and “Sputnik” (as in the Soviet satellite) that – in conjunction with a short report about freeloading hep cats helping themselves to booze at a magazine party – was meant to poke fun at common perceptions of the counterculture. Namely, that the group was full of lazy opportunists with far left political leanings. According to Caen, however, Beat Generation mainstay Jack Kerouac didn’t find it very amusing. “You’re putting us down and making us sound like jerks,” Kerouac apparently told him. “I hate it. Stop using it.”
I’ve linked the article below if you’d like to read the whole thing!
For those who crave something a little more sparkly and fancy than the Twilight dress I recently reviewed, I present the Stop Staring! Alexis dress in metallic champagne. This asymmetric, vintage-style cocktail dress is the perfect antique metal shade, somewhere between silver and gold. The tone is classy and festive, and the soft stretch polyester is textured to create a lovely, almost lurex-like period look. This is the perfect dress for a Christmas party or New Year’s Eve!
If you were a fan of Stop Staring!’s one-shouldered satin Lovespell dresses, Alexis delivers the same elegant late-1950s/early-1960s styling. This looks like something Elizabeth Taylor would have worn in Cleopatra – no joke! The textured fabric and ruched right side accent my waist and obscure my gut bulge rather nicely, while the sweetheart bodice provides just the right amount of structure for my bustline. I’m wearing Alexis with the Wacoal Red Carpet bustier in 36DD (size down a cup!) and Spanx.
The holidays are coming, and I’ve collected a trio of dresses that will work for just about any occasion the season might throw your way! The first is the Twilight dress by Alicia Estrada’s Stop Staring!, a ladylike vision in black stretch bengaline and a lace-like net illusion fabric. Stop Staring! is a great American-made vintage reproduction brand designed to fit and flatter a myriad of sizes and body types.
Summer’s almost over, so I’m working hard to clear my warm-weather posts from the blog queue. I promised a review of another wonderful custom reproduction by Esther of Morningstar84, this beautiful version of Marilyn Monroe’s eyelet halter dress from 1953.
You know that color theory people throw out there – the one that involves gravitating toward colors that look good on you? Yeah, well, I like turquoise, and apparently, turquoise likes me. I’m also a big fan of Trashy Diva and cute mid century repro, so it was just a matter of time before the 1940s-inspired Deb dress in pastel turquoise faille and the Maria dress in turquoise floral were MINE MINE MINE (cue Daffy duck in “Ali Baba Bunny”).
Since I missed out on the embroidered Maria last year, I’ve been pining for another shot at a pretty one, and boy is this turquoise floral print PRETTY. It’s a little greener in person, but it still photographs beautifully. The rich yellow, purples, and pinks really POP against it, and the rayon crepe has just enough texture to make the fabric feel really vintage. In fact, with the separate belt and decorative buttons down the front, this one looks like it’s straight out of the 1940s. I busted out the Remix Rita repro slingbacks and my Bakelite and the effect is pretty authentic. Continue reading “I Love Turquoise: Trashy Diva Maria and Deb dresses”
I just received a vintage 1950s suntop in deadstock condition, so naturally I had to wear it out right away. I wore it to tea with my philodendron-motif vintage Mexican skirt, huge lucite bracelets, and Vivien of Holloway 3-inch stretch belt!
The top is made of a slightly-stretchy black poplin, with a ruched back and buttons down the front. The seams are all pinked (zigzag cut edges) to keep them from fraying. This was how they finished seams in the days before prolific serging. Until about 1964, seam sergers weren’t common.
Very cute, but also cool on hot days like today. Yeah, leave it to us to pay to drink hot liquids on a 100F+ day!