Pinup, vintage fashion, vintage home, Jane Austen's Emma, and Miracles from Molecules!
I borrowed Forever 21’s big mirror on the way out of the mall today to bring you my outfit of the day!
I wore a silver-sequined black cardigan from the 2010 Lane Bryant holiday collection, my Deadly Dames Pirate Dress, cheap Steve Madden shoes from T.J. Maxx, Claire’s hairflower, and El Dorado Club “New Orleans” Filigree Bat Necklace.
Would’ve been nice had I, you know, worn makeup or something. 😛
My dad sent me this amazing 1936 footage of a Pontiac car assembly plant, remarking that it reminded him of the machine scenes in Fritz Lang’s Metropolis. And he’s right; there’s such precision on the part of the workers.
As his friend Bob (who initially forwarded the video) stated, every one of those guys knows exactly what he’s doing…
This is really awesome footage… A 1936 Pontiac assembly factory… Note,
automation was already in place, the workers lack any & all safety equipment, glasses & helmets: and they ALL know exactly what to do & it’s getting done.Note also that when the body comes together with the chassis that it is in FULL trim! Interior, windshield, all glass etc., is already in place as it is dropped onto the awaiting rolling chassis. “AMAZING” Simplicity @ its best.
Note too, when the metal finishers are checking the sheet metal for minute & tiny flaws & defects, that they are wearing heavy leather work gloves. How would YOU like that repetitious job of placing ( 3 ) rivets in the ( 3 ) holes on the chassis for about 35 to 40 years?
It’s barely January, which means that the shops are stocked with cruisewear and the strange seasonal hybridity of bridge lines. Last week, my brother’s girlfriend and I stopped by Ann Taylor Loft to find it awash in nautical blues and brash stripes; all stuff I like, but nothing that satisfies either current climatic reality here in the northern hemisphere or my severe jones for flowers and fragrance and sunshine and springtime.
I know it’s too early to be shopping in earnest for the season to come – after all, it’s only officially been winter for less than three weeks – but it’s a perfect time to look ahead at what’s coming down ye olde pipe and try to plan. First, an obligatory look at the official Pantone palette for Spring, 2012:
Margarita, Cockatoo, and Sweet Lilac satisfy my craving for soft candy color; Cabaret is a hot pink right up my colorsense alley, while Sodalite Blue in conjunction with rich greens would scratch my itch for midcentury sofa prints and lucite grape lamps. Sodalite is more cobalty than your standard January navy, it looks like.
Retailers like Torrid appear to be jumping on the the orange bandwagon with their new Sweet Escape cruise collection, though I can’t quite tell if they’ve used spring’s Tangerine Tango or a softer tone like last season’s Emberglow.
Heartbreaker Fashion – one of my favorite brands – is offering a number of its timeless pieces in a sage print reminiscent of Pantone’s Margarita, a mod drink-themed pattern (“Happy Hour”) that utilizes several bold colors reminiscent of this season’s palette, and a navy “Orbit” theme that seems to shade toward Sodalite Blue. You can check these out at their spring lookbook.
I’m hoping to pick up some more Heartbreaker separates (like this Stripey Marilyn Tee) in the coming months, as they’re pretty much amazing. At a recent clearance sale, I purchased their Gretta Top in a rich beige color that they had discontinued. The fabric is substantial, which makes for a great shape. More, it perfectly matches my Heartbreaker Gypsy Skirt in Dandelion print.
Deadly Dames (Pinup Girl Clothing) will be rolling out both sleek and fluffy silhouettes in feminine hues and prints, most of which don’t follow the seasonal color pack. That, however, is part of why I like Deadly Dames. In fact, the parade of awesome winter-to-spring stuff from designer Micheline Pitt begins this weekend with the much-anticipated Je T’Adore Dress in four colorways. I’ve ordered it in the “Victorian Rose” pattern, which suits my springtime floral craving to a T. I tend to ride the line on the hip measurement in their largest size, so keep your fingers crossed that it fits!
Coming later are the Courtesan Swing Dress, available in a black/white gingham and the Victorian Rose pictured above (I want the gingham!), and the L’Amor dress, which I hope to get in the black with white polka-dot colorway. You can see advance images of the collection at Micheline’s Facebook fanpage.
The satin Mon Cheri Dress, from the Fall Deadly Dames line, comes in colors from the same palette. I purchased the dress in the mauve colorway, which is a breathtaking antique pink. It’s got just the right amount of gold to make it right for autumn, yet it’s soft enough to carry you through the winter into spring. If it weren’t lined or sleeved, I’d want to wear it in summer, too!
Anyway, it’s what I’m wearing to a party tonight! This is their 2x; except for the arms, I could have handled the xl. Even a little big, it still looks good. I particularly love the black velvet belt!
Because I love Greco-Roman antiquity, I needed to make myself a chiton. Because I’ve performed Lady Emma Hamilton’s famous, classically-inspired tableaux vivants twice in the last twelve years, I needed to make myself a chiton. Because chitons are awesome and I like them, I needed a chiton.
By this point in the blog post, you might be asking yourself, “What the heck is a chiton? Who is Lady Hamilton? And those “tableaux” thingies?” I know it sounds like a strange combination of ideas, but it’s honestly not as complicated as it seems. In fact, the chiton – a very simple women’s (and men’s!) garment originating in ancient Greece and widely used as a basic dress or underdress for women in Roman eras – is extremely easy to make and wear. But I’ll get to that in a second.
Emma, My Inspiration
First, the Lady Emma part of the explanation. Our English Regency society puts on various events dealing with events and culture from the late Georgian period of British history. In the course of preparations for a ball honoring the great naval hero Lord Horatio Nelson, I somehow got roped into playing a role. And not just any role; I would be recreating Lady Emma Hamilton’s famous “attitudes.” Lady Emma performed these silent tableaux from 1787 through the 1790s and into the early 19th century, sparking several high-profile imitations and influencing modern dance and other forms of performance art over a hundred years later. Now, this was 1999 and I was crazy busy trying to finish my last year of law school. The last thing I probably needed on my plate was a performance of some sort, but for Emma Hamilton I made an exception.
Continue reading “Historic Costume: Greco-Roman Chiton and Lady Emma Hamilton’s Attitudes”
This piece was originally written for the Greater Bay Area Costumers’ Guild’s Finery newsletter, to introduce our Vertigo-themed costume event on February 11, 2012.
Despite her long studio career and a stunning cache of major awards (including a record-setting 8 Oscars, the most ever for a woman, and 35 Oscar nominations), costume designer Edith Head is a star whose name isn’t readily recognizable to most people. Her work, however, is instantly familiar to almost everyone. She’s the woman responsible for the iconic fashions appearing in mid century classics such as Roman Holiday, To Catch a Thief, Vertigo, and Breakfast at Tiffany’s.
Head spent 43 years at Paramount, worked 14 years at Universal, and collaborated on various projects for other studios over the years, aggregating a portfolio of work totaling several hundred movies. “I do so many films that I would only like to send you work that is outstanding, or of importance to your collection,†she wrote in 1967 to the Wisconsin Center for Theatre Research, in response to a request to create an “Edith Head Collection†at the University of Wisconsin.
Her diverse collection of designs includes everything from period fashions to fantasy creations. Though she downplayed cutting-edge contemporary fashion’s influences on her work (“What is shown in Paris today is a dead duck tomorrow†she once said), Head was also in many ways a fashion trend setter. The popular demand for sarong-style dresses in the late 1930s and 1940s, for example, grew out of Head’s iconic designs for Dorothy Lamour in The Jungle Princess (1936). Continue reading “Edith Head: Star Costumer”
So I thought I’d share my new favorite dress, which I happen to be wearing right now for New Year’s Eve festivities! It’s the Grace Dress from Laura Byrnes Black Label/Pinup Girl Clothing. Yes, I buy and wear a lot of Pinup Girl Clothing items. No, they aren’t paying me to pimp out their stuff. I just love their clothes!
Anyway, Grace features a well-constructed fitted bodice, a superfull circle skirt, and a really sumptuous red sateen fabric textured with a midcentury black flocked pattern. This one’s size xl, and it fits just right! More images after the jump…
Continue reading “Outfit of the Day: New Year’s Eve Fashion!”
So a few months ago I set out a list of blogging goals. Like many ENFP personality types, I tend to be very long on ideas and very short on attention span and time. To make matters worse, this past semester was one of my all-time busiest work periods, a frustrating reality further exacerbated by a bunch of extra life demands (some fun, like period balls, some not-so-fun, like expensive car repairs) that required time and money. My 2012 New Years’ resolution is to spend more time on my websites – particularly this blog, as it is both a way for me to reduce my rambling ideas into tangible goals AND an impetus for following through on those goals so I can share the results with you!
I’m still plugging away on my to-do list from this past fall, and I’m logging my goal progress to keep me honest! But before I bring you in on that, a goodwill gesture to prove that I’m working on it – an Outfit of the Week!
This is my Christmas Eve ensemble: Evelyn dress in green satin with reversible black velvet shrug from Pinup Couture, new Dian Von Furstenburg frames, homemade hairflower, and black suede-and-patent heels from Sofft Shoes.
Seriously, this dress is ace: rich satin sheen and Christmas green color, super-cute ruched bodice with adorable black velvet bow, and tremendous fit. When it comes to the Pinup Girl Clothing house brands, I usually hover around xl-2x; this one’s a 2x. There’s extra room in the waist (My inch measurements are 44-33.5-49), but it’s not baggy or ill-fitting. And the length is perfect for my 5’8″+ frame.
So if you’re plus or curvy or simply looking for a kick-butt, retro-style, made-in-the-USA clothing company, give Pinup Girl Clothing a shot!
Okay, now on to the rest of it. Click the link below to come out on the other side of the jump…
Continue reading “Happy New Year: Updates and Bloggy-dos and an Outfit of the Week!”
Merry Christmas! Happy New Year! Now that I’m almost done with my teaching semester, I can get back to the business of blogging. Kind of. I have some pretty outfits and new-old jewelry to show you. Stay tuned! 😀