After a massive restoration conducted in the late 1990s and early 2000s, this gorgeous 1930 theater is a clean, bright, luminous connection to an earlier time. While you might see anyone from George Lopez to Tony Bennett headlining at the Fox, the best attractions are the ones that offer the visitor a connection to the theater’s roots as a mid 20th century movie palace – the monthly Friends of the Fox classic movie events featuring concerts on the 1928 Robert Morton theater organ!
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Like most people, I get my style cues from so many different sources I can’t keep track of them all. More, I’m sure a huge proportion of my influences are so subliminal I couldn’t articulate them if I wanted to. That said, the spirit of self-exploration has taken hold and inspired me to try. So with that, I’m presenting my first style influences. Not the first in the chronological sense of my life, but the first I’m bringing to the blog: Piero Gherardi – art, set, and costume designer for many of Federico Fellini’s iconic films – and the luminous Anita Ekberg, one of the talented female stars of my favorite Fellini, La Dolce Vita (1960).
Sylvia’s Fountain Dress from La Dolce Vita at a Cinecitta exhibition on Fellini. Photo by Cassia Afini via Wikimedia.
Since Ekberg just passed away, she’s a logical first choice. The designs that she – and everyone else in La Dolce Vita – wore also happen to be some of my favorite clothes ever. Her strapless velvet gown from the famous Baths of Caracalla and Trevi Fountain scenes is legendary, but I’d love it even if it were 1/1,000,000th as famous as it is. With its sweetheart neckline, carefully-engineered bodice, and sweeping, diaphanous silk underlayers, it’s truly a dream dress. The way Ekberg whirls through the Caracalla scene, it’s almost like the dress has taken on a life of its own.
Sylvia dances at the Baths of Caracalla in La Dolce Vita.
My other favorite Ekberg ensemble from the film includes the off-shoulder, v-neck lace top her character, Sylvia, wears during the press suite scene soon after her arrival in Rome. It’s perfect – just the right balance of structure and femininity, balanced delicately on the pinnacle fulcrum of the best fashion era that ever was or will be – the late 1950s and early 1960s.
Sylvia’s lace top
It helps that Ekberg didn’t have a standard body. While not exactly plus, she had bigger curves than the average actress and looked amazing. This inspired me, as a girl who is nothing if not curvy.
Tassel Twirl Magazine just launched a sister publication called Calendar Girls. Dedicated to seasonal pinup imagery, the magazine’s first issue focuses on autumn and Halloween. There are two great covers to choose from, and two photos of me inside by Miss Missy!
Halloween Kitty by Miss Missy
I’m a Halloween cat, wearing Deadly Dames capris, Laura Byrnes lace bolero, Chelsea Crew shoes, and a Goddess vintage style longline bra.
A little while back I showed you two lovely Stop Staring! cocktail dresses suitable for holiday wear. I promised a third option from Collectif, and that’s what I’m reviewing for you here! Meet Penny, an attractive sweetheart front-cross halter strap wiggle dress made from stretchy black bengaline.
Collectif Penny dress
Bengaline is a comfortable, flattering fabric that works incredibly well in vintage wiggle dress styles. The Collectif Penny is no exception. The cut and construction are fabulous, and the fit is very good. This is the kind of dress that is snazzy enough on its own – look at that bodice! – but dresses up really nicely given its neutral color and sleek lines.
Several years ago for Halloween, I decided to bring to life my favorite Patrick Nagel painting. Usually described as “woman with flower in her hair,” the piece is also known as the alternate cover art for Duran Duran’s iconic Rio album.
Woman with flower in her hair, AKA the “alternate” Duran Duran “Rio” cover art!Me as the Nagel girl, by Miss Missy.
The first incarnation of the outfit included a royal blue tube top and raspberry capris, both of which I made myself by altering commercially available patterns. Since I’ve gotten a lot smaller since then, I decided it was time to put together a new “Rio” look for this Halloween. This time, I’m using separates produced by popular pin up clothing manufacturers.
For those who crave something a little more sparkly and fancy than the Twilight dress I recently reviewed, I present the Stop Staring! Alexis dress in metallic champagne. This asymmetric, vintage-style cocktail dress is the perfect antique metal shade, somewhere between silver and gold. The tone is classy and festive, and the soft stretch polyester is textured to create a lovely, almost lurex-like period look. This is the perfect dress for a Christmas party or New Year’s Eve!
Stop Staring! Alexis Dress
If you were a fan of Stop Staring!’s one-shouldered satin Lovespell dresses, Alexis delivers the same elegant late-1950s/early-1960s styling. This looks like something Elizabeth Taylor would have worn in Cleopatra – no joke! The textured fabric and ruched right side accent my waist and obscure my gut bulge rather nicely, while the sweetheart bodice provides just the right amount of structure for my bustline. I’m wearing Alexis with the Wacoal Red Carpet bustier in 36DD (size down a cup!) and Spanx.
The holidays are coming, and I’ve collected a trio of dresses that will work for just about any occasion the season might throw your way! The first is the Twilight dress by Alicia Estrada’s Stop Staring!, a ladylike vision in black stretch bengaline and a lace-like net illusion fabric. Stop Staring! is a great American-made vintage reproduction brand designed to fit and flatter a myriad of sizes and body types.
