Pinup, vintage fashion, vintage home, Jane Austen's Emma, and Miracles from Molecules!
So my friend Elizabeth and I recently attended a Persuasion-themed Jane Austen picnic sponsored by The Greater Bay Area Costumers’ Guild. It was an excuse to wear Regency, and in particular to acquire a copy of the beautiful gold Regency gown in the Kyoto Costume Institute collection.
More pics and info after the jump…
Continue reading “1805-ish Regency Gown based on the one at Kyoto Costume Institute”
Thanks to my friend Elizabeth, I now have a new Regency gown – a full day dress ensemble – that fits! She asked me to be her model for a Regency fashion lecture at Modesto’s Jane Austen-themed JaneCon, and I agreed! She kindly made me the entire ensemble for the cost of materials and washing/ironing labor, and I couldn’t be happier. It’s a good thing she loves to sew, because I sure don’t! I do love paying my friends, or doing them favors, in exchange for beautiful clothes! The look and fit is just perfect.
The outfit consists of an 1805-ish gown made from a block-printed almost-sheer cotton muslin from Renaissance Fabrics. It’s the first front-opening Regency gown I’ve had, as my other, smaller gowns were all of the slightly later frock (back buttons) variety. Since this gown has a bib front that pins in place, it’s taken a bit of getting used to. I think eventually I’ll add period-incorrect snaps and ties to help keep it in place so I won’t stab myself or flash anybody by accident. Continue reading “A new Regency gown!”
It’s hard to believe that December will mark the 200th anniversary of Emma‘s publication. The recent lead up’s been pretty interesting, including a modern retelling of the novel by Alexander McCall Smith and Pemberley Digital’s multimedia Emma Approved adaptation, which wrapped last year. Various organizations, including the Bay Area English Regency Society in the San Francisco Bay Area, are organizing celebrations commemorating the event. Even though it’s not popular on the same level as, say, Pride & Prejudice, people love Emma because it has a little something for everyone.
Before writing Emma, Jane Austen once expressed, “I am going to take a heroine whom no-one but myself will much like” (James Edward Austen-Leigh’s Memoir of Jane Austen, p. 158). Most believe that the author was at least half-joking when she said this, as Emma Woodhouse is often a great favorite among readers. The character aside, however, the story itself is simply brilliant. Part romance, part comedy, part drama, and part “detective novel,” adapters for stage and screen have lots of choice when it comes to direction and focus. If the depth and texture of the novel has a limitation, it’s in the fact that most adaptations can’t do justice to everything it offers (not even the long miniseries versions).
Jane Austen wrote Emma over the period encompassing January 21, 1814 – March 29, 1815. At his request, she dedicated Emma to her most high-profile fan, the Prince Regent. This is a bit strange, considering that she didn’t care much for him, his conduct towards his wife, or his personality in general. He received a special first edition of the novel (one of twelve “presentation” copies issued by the publisher), in three volumes, which is kept at the Royal Library at Windsor Castle. For more on the presentation edition, see this description of Anne Sharp’s copy (Bonhams auction site). Novelist Maria Edgeworth – a favorite of Austen’s – also apparently received a presentation copy of the novel.
First published in December, 1815 (though the frontispiece is dated 1816) by John Murray, Emma was the last work Austen lived to see released. The first edition consisted of 2000 copies. Oddly, the book did not sell well, so the second printing/edition didn’t happen until 1833. For more information on the initial publication of the novel, look here. You will also find opinions on the novel from Austen’s friends and family right here.
For more on Jane Austen’s Emma and its various media adaptations, visit the Emma Adaptations Pages.
One of my favorite things to do in my hometown is wear vintage and reproduction outfits to see classic movies at the historic Fox California Theater, also known as the Bob Hope Theater.
After a massive restoration conducted in the late 1990s and early 2000s, this gorgeous 1930 theater is a clean, bright, luminous connection to an earlier time. While you might see anyone from George Lopez to Tony Bennett headlining at the Fox, the best attractions are the ones that offer the visitor a connection to the theater’s roots as a mid 20th century movie palace – the monthly Friends of the Fox classic movie events featuring concerts on the 1928 Robert Morton theater organ!
Click for more Fox Theater and more outfit pictures!
Continue reading “Fox California Fashion: Classic movies and nifty vintage dresses”
Happy new year! I always overdress for the holidays, and last night was no exception. I wore a beautiful lipstick-red vintage silk gown from the 1950s. It’s got a Frank Starr label and was apparently made to measure in a Washington, DC, dress shop.
I accessorized the dress with vintage paste jewelry, my silver Remix Ritz heels, a Deadly Dames satin bolero, and a vintage beaded clutch from Saks Fifth Avenue that matched the red of my gown PERFECTLY. This is my favorite outfit in a long time, if not ever! Continue reading “New Year’s Eve: Vintage Frank Starr gown”
It’s here! Halloween!
You’ve already seen my Nagel girl/Rio Halloween getup, so here’s my retro-pinup-black-cat look, photographed by Miss Missy Photography. Missy also did my fabulous hair and makeup. Meow! Continue reading “Happy Halloween, pin up kitty style!”
Recently, my friend Gailynne asked me to write an article for our costumers’ guild newsletter. She knows I love mid-century fashion, and she needed someone to write a piece on “beatnik” fashion for our “On the Road” event coming up in November. I thought it would be fun, so I jumped on it! I figured it would be a good way to learn more about the “Beat Generation” and the (old school) hipster culture that inspired – and was inspired by – it.
When most people hear the word “beatnik,” they probably imagine bored-looking bohemian gals in berets and guys in turtlenecks and weird little goatees. These stereotypes are rooted in truth, but like the term “beatnik” itself, they’re not really very representative of the movement defined by the “Beat Generation” nor the people inspired by its counterculture philosophy. The reality is that the intellectuals, artists, and anti-bourgeois iconoclasts of mid-twentieth century America dressed a lot like everyone else.
Legendary San Francisco columnist Herb Caen created the term “beatnik” in 1958, a portmanteau of “beat” and “Sputnik” (as in the Soviet satellite) that – in conjunction with a short report about freeloading hep cats helping themselves to booze at a magazine party – was meant to poke fun at common perceptions of the counterculture. Namely, that the group was full of lazy opportunists with far left political leanings. According to Caen, however, Beat Generation mainstay Jack Kerouac didn’t find it very amusing. “You’re putting us down and making us sound like jerks,” Kerouac apparently told him. “I hate it. Stop using it.”
I’ve linked the article below if you’d like to read the whole thing!
Thanksgiving is one of my favorite holidays. There’s the food, the family, the official start of the Christmas season…and Black Friday sales. I celebrated with some fun vintage-inspired items from Pinup Girl Clothing and Kate Spade, several of which I was able to share on my brand new Instagram account.
Yes, I caved, and you can follow me as Instagram user “magicskyway.” Among the odds and ends I’ve deposited there are some collages of my Black Friday haul, which included 1940s-style Rita pumps by Remix, Kate Spade bow flats, a Pinup Couture Jenny skirt featuring a vintage Venetian scene, the Laura Byrnes Madeline dress in green plaid with matching bolero (finally!), and more.
That’s my Black Friday story for this year. What’s yours?