Emma Adaptations Pages Image Gallery!

EmmaFeatured here are all the publicity stills, screencaps, posters, lobby cards, and other image-based materials related to all of the Jane Austen Emma film and television adaptations and various editions of the novel. Productions included are the 1972 BBC adaption starring Doran Godwin (Emma 1), the 1996 Miramax adaptation starring Gwyneth Paltrow (Emma 2), the 1997 ITV/A&E version starring Kate Beckinsale (Emma 3), the 2009/2010 BBC/PBS version starring Romola Garai (Emma 4), the 2020 adaptation starring Anya Taylor-Joy (Emma 5), and the “Bollywood” Emma, Ayesha, from 2010. Eventually, I may also add some Clueless (1995) media.

I’ve also included some illustrations from various editions of the novel, most of which were sent to me by my friend Cinthia:

    • There are illustrations by Charles Edmund Brock (1870-1938) from 1898 and 1909 editions of Emma.
    • The 1898 edition Brock Illustrations are American reproductions of earlier versions presented in an English edition. The watercolor Brock illustrations come from a 1909 edition of the novel published by J.M. Dent & Co. in London and by  E.P. Dutton & Co. in New York.
    • There are also illustrations by Philip Gough from an 1948 edition published by McDonald & Co., illustrations by Fritz Kredel from a 1964 edition from Heritage Press, and black and white “line” drawings by Hugh Thomson from another edition.
    • Learn more about Emma, the novel
    • Learn more about Emma novel illustrations

Since my old gallery script ceased to function, I’m bringing everything back right here using Gallery for WordPress. Please bear with me while I fine-tune this album and add new content. 🙂 To see the albums, continue past the jump…

Continue reading “Emma Adaptations Pages Image Gallery!”

Emma Adaptations Pages roundup: onstage in Chicago and Emma 2020 coming to North America very soon!

A few general Emma Adaptations updates!

First, Emma 2020, starring Anya Taylor-Joy and directed by Autumn de Wilde, is coming to North American theatres starting next week! For my updates on the film, keep watching my Emma 2020/Emma 5 blog tag/feed.

Second, Paul Gordon’s Emma musical is onstage at Chicago Shakespeare Theatre through March 15. It stars Lora Lee Gayer as Emma Woodhouse and Brad Stanley as Mr. Knightley.

Chicago Shakespeare Theatre Emma
Chicago Shakespeare Theatre’s Emma

Reviews of the production:

Third, my old gallery script was completely nuked in a PHP server update, so I’m converting all of my Emma media to a WordPress gallery as soon as I can. Be watching for it! 🙂

More regarding Emma 2020…

So the new Emma adaptation, based on Jane Austen’s wonderful novel, is coming very soon. It’s to be released in New York and Los Angeles on February 21, followed by limited North American release on February 28th and a nationwide US release on March 6.

Emma
Anya Taylor-Joy as Emma Woodhouse.

In celebration, Paper Source is offering a line of Emma-inspired stationery goods.

And from Focus Features, some recent poster art featuring the stars of the film…

Continue reading “More regarding Emma 2020…”

A new Regency gown!

Thanks to my friend Elizabeth, I now have a new Regency gown – a full day dress ensemble – that fits! She asked me to be her model for a Regency fashion lecture at Modesto’s Jane Austen-themed JaneCon, and I agreed! She kindly made me the entire ensemble for the cost of materials and washing/ironing labor, and I couldn’t be happier. It’s a good thing she loves to sew, because I sure don’t! I do love paying my friends, or doing them favors, in exchange for beautiful clothes! The look and fit is just perfect.

Me in mushroom hat/beret, fichu and spencer jacket
Me in mushroom hat/beret, fichu and spencer jacket. Regency makeup is weird but surprisingly effective – you use burnt cloves to fill in your brows and liquid/pomade consistency lip and cheek products.
Me, Elizabeth in our ensembles for the day
I’m on the left, Elizabeth’s on the right. She made us look good.

The outfit consists of an 1805-ish gown made from a block-printed almost-sheer cotton muslin from Renaissance Fabrics. It’s the first front-opening Regency gown I’ve had, as my other, smaller gowns were all of the slightly later frock (back buttons) variety. Since this gown has a bib front that pins in place, it’s taken a bit of getting used to. I think eventually I’ll add period-incorrect snaps and ties to help keep it in place so I won’t stab myself or flash anybody by accident. Continue reading “A new Regency gown!”

Another Emma trailer…

There’s another trailer for the 2020 Emma Jane Austen adaptation…

Old Emma updates from Fall, 2018…

Just some housekeeping, to keep the Emma update feed complete…

Jane Austen’s Emma is almost 200!

Gwyneth Paltrow as Emma
Gwyneth Paltrow as Emma (1996 Miramax adaptation).

It’s hard to believe that December will mark the 200th anniversary of Emma‘s publication. The recent lead up’s been pretty interesting, including a modern retelling of the novel by Alexander McCall Smith and Pemberley Digital’s multimedia Emma Approved adaptation, which wrapped last year. Various organizations, including the Bay Area English Regency Society in the San Francisco Bay Area, are organizing celebrations commemorating the event. Even though it’s not popular on the same level as, say, Pride & Prejudice, people love Emma because it has a little something for everyone.

Before writing Emma, Jane Austen once expressed, “I am going to take a heroine whom no-one but myself will much like” (James Edward Austen-Leigh’s Memoir of Jane Austen, p. 158). Most believe that the author was at least half-joking when she said this, as Emma Woodhouse is often a great favorite among readers. The character aside, however, the story itself is simply brilliant. Part romance, part comedy, part drama, and part “detective novel,” adapters for stage and screen have lots of choice when it comes to direction and focus. If the depth and texture of the novel has a limitation, it’s in the fact that most adaptations can’t do justice to everything it offers (not even the long miniseries versions).

Jane Austen wrote Emma over the period encompassing January 21, 1814 – March 29, 1815. At his request, she dedicated Emma to her most high-profile fan, the Prince Regent. This is a bit strange, considering that she didn’t care much for him, his conduct towards his wife, or his personality in general. He received a special first edition of the novel (one of twelve “presentation” copies issued by the publisher), in three volumes, which is kept at the Royal Library at Windsor Castle. For more on the presentation edition, see this description of Anne Sharp’s copy (Bonhams auction site). Novelist Maria Edgeworth – a favorite of Austen’s – also apparently received a presentation copy of the novel.

First published in December, 1815 (though the frontispiece is dated 1816) by John Murray, Emma was the last work Austen lived to see released. The first edition consisted of 2000 copies. Oddly, the book did not sell well, so the second printing/edition didn’t happen until 1833. For more information on the initial publication of the novel, look here. You will also find opinions on the novel from Austen’s friends and family right here.

For more on Jane Austen’s Emma and its various media adaptations, visit the Emma Adaptations Pages.

Alexander McCall Smith’s Emma reboot coming soon to The Austen Project!

Alexander McCall Smith's Emma reboot - a tribute to Jane Austen's original novel
Alexander McCall Smith’s Emma reboot – a tribute to Jane Austen’s original novel.

Well, it looks like the wait’s a-shrinking for the Emma reboot by famed mystery novelist Alexander McCall Smith. This Jane Austen retelling is coming to the UK, Australia, and New Zealand in early November. According to Amazon.com, preorders are open for the US edition, scheduled to release in April.

Here’s the novel teaser from the official “The Austen Project” website:

Fresh from university, Emma Woodhouse arrives home in Norfolk ready to embark on adult life with a splash. Not only has her sister, Isabella, been whisked away on a motorbike to London, but her astute governess, Miss Taylor is at a loose end watching as Mr. Woodhouse worries about his girls. Someone is needed to rule the roost and young Emma is more than happy to oblige.

At the helm of her own dinner parties, and often found either rearranging the furniture at the family home of Hartfield, or instructing her new protégée, Harriet Smith, Emma is in charge. You don’t have to be in London to go to parties, find amusement or make trouble. Not if you’re Emma, the very big fish in the rather small pond.

But for someone who knows everything, Emma doesn’t know her own heart. And there is only one person who can play with Emma’s indestructible confidence, her friend and inscrutable neighbour George Knightly – this time has Emma finally met her match?