So nearly a year ago I promised to piggyback my antique jewelry post with a look at some of my spiffy vintage beaded purses. Most of these purses came from my grandfather, the king of pawns and master of the Bay Area flea market. It’s also possible that one or two of them belonged to my great-aunt Alice.
But FIRST, my awesome silk shawl from the 1920s. This is the famous Shawlhead shawl, ifyouknowwhatImean.
Silk 1920s shawl.Shawlhead.Kali in 1920s silk shawl. Photo by Lani Teshima.
Okay. So onto the purses. First up is a cute, cream-colored purse with machine embroidery and white beading. It has a sparkly clasp and metal chain, and looks to be from the 1960s. There’s no maker or shop mark on the lining to identify it…
I keep promising more “normal” fashion stuff and then never deliver. This is mainly because I end up posting everything at the Dims fashion board and then promptly forget this blog exists. So, in an attempt to rectify this continuous, egregious error, I give you…MY REALLY FREAKING OLD JEWELRY COLLECTION. Okay, so maybe that isn’t “normal,” but at the very least it doesn’t involve me in a corset. So there. (Click the jumplink below the pic for the whole article. )
This past weekend, I went back down to OC for my friend Cindy’s birthday. It was a wonderful few days! For her party, a group of us went to the Tea House on Los Rios in San Juan Capistrano, the same place Cindy and I went back on November 1. Here are a couple of photos from the event…
Cindy and Kali in Edwardian costume at the Tea House on Los Rios in San Juan Capistrano on February 7, 2009.Cindy, Kali, and Haydee at tea.
Cindy wore a mid-Edwardian dress she made herself. I wore my 1912 tea/luncheon gown (made by Tracie) and the 1911ish “Lunardi revival” hat I’d put together for the GBACG “My Fair Lady” event last August.
A new gown! Or is it? Actually, it’s a new variation on an old theme of mine: Winona Ryder’s Newport archery ensemble from Martin Scorsese’s 1993 Age of Innocence adaptation.
Ensemble from the film.
The ensemble is fiercely cute, with little faux pannier-looking things radiating out over the hips from a shirred panel on the skirtfront and layers of eyelet ruffles cascading down the skirt. It’s a little reminiscent of the gown on the left in this French fashion plate from the early 1880s:
Early 1880s natural form gowns.
My friend Tracie Arnold of Past & Present Creations made the fresh iteration of my original, beloved version of this gorgeous natural-form era ivy dress. The first dress – constructed by Victoria Riddenour, hand-embroidered by me, and photographed beautifully by Lani Teshima – had become too small to even THINK about wearing.
I wore the new ensemble to San Juan Capistrano on Halloween weekend, where my pal Cindy and I had tea and generally caroused around the old town area. Cindy wore a beautiful, embroidered black velvet ball gown that she’d made for Bat’s Day.
Kali in 1880s natural form eyelet ensemble, photographed by Cindy.Kali and Cindy in old San Juan Capistrano.
Outfit notes: The straw skimmer is a Victoria Riddenour original. My corset is Denise Nadine‘s late Victorian “Nettie” style. I made the combination undergarment (which you can’t see) from Truly Victorian’s 1876 combination pattern (TV105). My garnet earrings are from Lacis.
As part of her “Go Gothic!” tribute to Northanger Abbey, my friend Laurel Ann invited me to do a light look at the costuming in the 1986 and 2007 television adaptations of the novel.
